So far, 2025 has delivered the kind of reading year that makes me grateful to be a reader. I’ve fallen for romances, gotten deliciously tangled in mysteries, and savored short stories that left me thinking long after I turned the last page. Even if I narrow the list to books already published—though let me just say, there are some spectacular ones coming later this year—I’ve read ten standouts I’d happily press into anyone’s hands.

What about you? Which books have made you pause, swoon, or stay up too late this year? And have you read any of the ones I’ve loved? Let me know!


Promise Me Sunshine by Cara Bastone.

Promise Me Sunshine understands that the risk of being known, really known, is terrifying, especially when you’ve lost before. But it also shows how electric it can be when someone sees your grief, your chaos, your softness—and chooses you anyway. This novel doesn’t promise healing. It promises connection. And in the face of loss, that might be the most powerful thing we get.

 

 

You Give Me That Feeling (Road Kings Book 7) by Julie Kriss

I came into this book unconvinced that Kriss was worth the hype. You Give Me That Feeling changed my mind. It’s smart, well-written, sexy as hell, and plays with pop culture in ways that feel fresh. Could it be better? Sure. Its short length skips over moments I wanted to sink into, and while it’s a very fun book, I kept thinking it could have been even better. But now I believe Kriss has it in her to write something truly spectacular. This one is just very good—and that’s still a gift. For contemporary romance readers, this rock star romance deserves to be at the top of the charts.

 

Drive Me Wild (Riggs Brothers, #1) by Julie Kriss

A sharp, sexy, and absorbing second-chance romance with a heroine who refuses to dim her light and a hero who wouldn’t want her to. I’d recommend it to anyone who enjoys smoking hot contemporary romance.

 

 

 

The Listeners by Maggie Stiefvater

The world building was immersive and unique and all the characters interesting and distinct. I thought the prose was gorgeous. But, perhaps most of all, I loved how it didn’t, overall, demonize the Japanese and the Germans. At this point in my life, I find black and white characterizations of people and movements more than useless–I’d argue they’re harmful. I loved that, in The Listeners, Stiefvater seems to be saying that we are all capable of many things–she deftly uses the analogy of the sweetwater–and that to see someone and believe we know their truths and their worth is often, at best, at misapprehension and, at worse, a danger to the larger world. 

Parents’ Weekend by Alex Finlay

Finlay writes thrillers that, yes, you can’t put down. This one is great fun and even when it teetered on unbelievability, I didn’t care. This is one of those reads that just being along for the ride is worth it–if you’re looking for a summer read that sucks you in and leaves you utterly content with the time you gave it, I recommend this one highly!

 

 

Broken Country by Clare Leslie Hall.

Hall’s writing is elegant and unhurried, not just in style but in the way she builds lives on the page. She does not bend to the reader’s need for catharsis or closure; instead, she asks us to sit with the choices her characters have made, to reckon with the things they cannot take back. The novel does not grip you by the throat—it settles into your bones. If you are looking for a story that unfolds with patience, depth, and emotional complexity, Broken Country is one worth reading.

 

Count My Lies by Sophie Stava

Books that make you turn the pages as fast as you can are a gift. But when they sabotage themselves with a ridiculous ending, they land in that purgatory: not quite worth returning, but not the kind you press into your best friend’s hands, insisting they have to read it. If you love a fast, twisty thriller with an unreliable narrator, Count My Lies is worth the ride. Just expect to roll your eyes at the destination.

 

 

Famous Last Words by Gillian McAllister

Gillian McAllister’s Famous Last Words doesn’t start with a murder, a car chase, or an anonymous text—it starts with a husband who simply isn’t where he’s supposed to be. That’s all it takes for McAllister to unravel a marriage, a career, and a life in real time. This isn’t a thriller that relies on cheap tricks or high body counts to keep you hooked. Instead, it thrives on an insidious kind of tension—the kind that makes you second-guess everything, including your own instincts. At its core, it’s about trust, betrayal, and—somewhat surprisingly—love.

 

A Century of Fiction in The New Yorker: 1925-2025

I am reading this collection slowly and, whoa, I feel, in the best way, as if I’ve returned to school. The book’s 75 stories–no, there is not one for each year–are arranged in chronological order and, as such, tell the story of the past century. (I’ve made it up to 1982 and am currently working my way through Raymond Carver’s Where I’m Calling From.) The book has very famous stories–The Lottery by Shirley Jackson, Salenger’s A Perfect Day for Bananafish, Proulx’s Brokeback Mountain, etc…–as well as marvels previously unknown to me. Of the 28 I’ve read, my favorites I’d not read before are A Summer’s Reading by Bernard Malamud, Dawn Powell’s Such a Pretty Day, Nadine Gordimer’s City Lovers, and John Cheever’s The Five-Forty-Eight. I’ve already given the book to four friends–it’s a great conversation generator! 

Tell Me What You Did by Carter Wilson

Tell Me What You Did is a wild read. Each chapter is short and that staccato rhythm reflects the fragmented way uncertainty creeps in and, slowly, undermines the things we’re sure of. This is a dual timeline story—it weaves between Poe’s teenage grief and her adult reckoning—and both parts work. Even the now overdone podcast schtick suits the tale–the transcripts, emails, and production notes add narrative depth rather than gimmick, capturing the gap between Poe’s public persona and private fear.

This is a novel I couldn’t put down. It’s not perfect–the last twist strains credulity, and the pacing tips toward spectacle–but Wilson earns enough trust along the way that I stayed with it and was glad to have done so. Tell Me What You Did is a gripping, thoughtful, rollicking thrill laden ride of a story and I recommend it highly.

A Sea of Unspoken Things by Adrienne Young

The novel’s strength lies in its dual mystery. The first half focuses on Johnny’s last days: What was he doing in the forest, and why did he hide so much from James? The second half digs into the events surrounding the golden boy’s death, forcing James to confront how she and Johnny were implicated in that long-ago tragedy. Each answer builds on the last, leading to a conclusion that surprised me—clues were there all along, hiding in plain sight.

The resolution, however, is almost too tidy. Both mysteries—the truth behind Johnny’s death and the events of twenty years ago—are explained in full. For a story steeped in ambiguity, the clean ending feels almost too neat, though it’s satisfying. Micah and James remain something of a puzzle—are they together because of shared history, physical chemistry, or the narrative’s need for a romance arc? Either way, their ending will leave romance readers content.

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  1. I’ve mostly been on a fantasy romance streak for the past year.

    • Onyx Storm by Rebecca Yarros – even though I enjoyed Iron Flame it felt rushed and relied too much on miscommunication tropes. Here the relationship was deeper and the books actually felt like high fantasy. Thanks to the Onyx Storm, it’s now officially my favorite on-going fantasy series.
    • Phantasma/Enchantra (Wicked Games). Deadly games with gothic feel, each book follows a different couple but set in the same universe. Phantasma is slightly more interesting because the FMC suffers from intrusive thoughts (something I can relate to).
    • Direbound by Sable Sorensen by Kaylie Smith – As close as it gets to the Empyrean series without being a total copycat. It’s not perfect by any means: I rolled my eyes a few times at some of the cliches and was extremely annoyed at the amount of page time given to the ‘wrong guy’ but I loved the dragons direwolves and I have hopes for the ‘real’ relationship to grow in the next book that’s coming out soon.
    • Cursed Legacies by Morgan B. Lee – Why choose that starts in the magical academy setting, but thankfully, goes beyond the typical tropes with bullying or an underdog heroine. For once, she’s kickass without being a Mary Sue or too OP because the obstacles she faces are severe enough. There are four guys who all have distinct personalities and various magical curses and psychological issues they have to overcome.
    • Zodiac Academy by C. Peckham and S. Valente (aka Twisted Sisters) – I’ve been making my way through this series and its spinoffs according to the recommended reading order, which means taking a break from the main series after book three to read the prequel series. It’s sort of like a sexy Harry Potter-like magic academy setting with twin sisters discovering they’re actually heirs to the fae monarch. I almost DNF’d the first book because of the excessive bullying, but the subsequent books included other characters’ POVs, and then it became less black-and-white. They have four students and one teacher (don’t worry, he’s only a few years older) as potential love interests and relationships develop throughout the multiple books. It’s been compared to the somewhat trashy CW shows, and the writing is not always very polished, but the Twisted Sisters won me over with memorable characters, funny moments, and intricate world-building. The prequel series is a ‘reverse harem’ (why-choose) that combines academy, mafia, and whodunit tropes and somehow makes it work for this reader (although it made me realize that I miss the twins and their love and devotion to each other, which is even more important than the romantic subplots).

    Honorable mention:
    That Time I Got Drunk and Saved a Demon (Mead Mishaps, #1) by Kimberly Lemming. I was going through a tough period in my life and wanted something light and funny. This book fit the bill.
    Galaxy Circus Series by Lexie Winston – Same as above, but reverse harem with MM in a space fantasy setting. I took a break after book four as I felt it was more smut than plot, but I may return if the mood strikes me.

    1. I want to try Direbound! I’m feeling the Empyrean love (Onyx Storm) – I just stuck a Broccoli (the cat) sticker on my kindle.

      1. If you read other fantasy subgenres and love cats, I recommend Dungeon Crawler Carl by Matt Dinniman. Nothing beats Princess Donut’s shenanigans, and her relationship with her human is one of the best platonic bonds I’ve come across. It’s dark, hilarious and emotional, and the narration is next level.

  2. Gosh, it’s been a bit slimmer this year for me in terms of favourites (and I’m only reading romance) but so far Promise Me Sunshine (Cara Bastone) is the frontrunner for the year.

    • Cover Story (Mhairi McFarlane) is very funny in a British way and full of pop culture references that were hilarious, plus it has a warm heart.
    • Never Been Shipped (Alicia Thompson) was gorgeous – just reviewed this week..
    • Manic Pixie Dream Earl (Jenny Holiday) is a funny and silly historical, with main characters who have a vulnerability that makes their romance work so well.
    • Three Days in June (Anne Tyler) was delicious – deft and tight and so beautifully written. A stealth-romance, I’d call it.

    So many more to come though!

    1. I love Tyler but her last several books haven’t moved me. I’m happy to hear the most recent release is good!

      1. Hi Dabney, it’s pretty much a novella so give it a go if you have a minute – it reminded me of Elizabeth Strout’s writing, the FMC would love Olive Kitteridge 🙂

  3. By an interesting coincidence, two of my favorite books of the year so far (Ari Baran’s GOALTENDER INTERFERENCE and Sarina Bowen’s THE LAST GUY ON EARTH) have the same premise but very different (although equally good) executions: they’re both second-chance m/m romances between professional hockey players. In Baran’s book, the focus is on the hard work the MCs will have to put in to achieve their current-day HEA. In Bowen’s book, we see much more of the MCs’ earlier relationship—and how the fault lines that initially ruined them were clear from the very first. Both books are extremely well written and compulsively readable, showing how good writers can take a common setup and individualize it and make it their own.

    Julie Kriss’s YOU GIVE ME THAT FEELING is also on my favorites of 2025 list. Kriss is a go-to writer for me—and YGMTF is one of her absolute best: she takes the fake relationship trope and creates an engaging, entertaining, and believable love story.

    Sasha Avice’s WE WERE NEVER LOVERS was published in 2024, but I read it for the first time this year. It’s a brilliant use of the amnesia trope in which a man (an Australian football player) wakes up in a hospital bed with no memory of the past two years, and he’s baffled that in the ensuing time he has somehow become best friends (and possibly more?) with a teammate with whom he has had a long, complicated, and antagonistic relationship. Avice perfectly captures the confusion and disbelief of the amnesiac MC—and the heartbreak of the other MC who is left alone in his feelings.

    1. I haven’t come across Sasha Avice before, but I’ll definitely look that one up – I like a well-done amnesia story. Thanks for the rec!

      1. WE WERE NEVER LOVERS is the fifth book in Avice’s Contested Possession series. The first three books are about a couple who break up and then their new relationships (extremely well-written but there’s emotional cheating for sure), the fourth book is a different couple and features religious trauma and drug use, among other things (Avice isn’t afraid to get her characters into messy situations). If you read the previous books, you do get glimpses here and there of the MCs in WE WERE NEVER LOVERS, but you can certainly read it as a stand-alone.

    2. The Baran and the Bowen are both on my “memorable months later” list and I have just read that both authors will continue the series – inspired by Rachel Reid’s screen success. Lovely additional effects out of a breakthrough event, this makes me happy.

      I read Sasha Avice based on your recommendation here and she works extremely well for me, at the edgier of the spectrum that I enjoy. I like my reading less dark than you do, based on your recommendations here.

  4. I have given 5-stars to four books I’ve read in 2025. But the only one published in 2025 is BLOOD MOON by Sandra Brown.
    There’s a re-reading, LORD OF SCOUNDRELS, because I celebrated in February its 30 years.
    And two wonderful readings, new-to-me books that were published years ago, THE OTHER SIDE OF MIDNIGHT by Simone St. James and LORD CAREW’S BRIDE, by Mary Balogh.

  5. I’ve liked several so far this year, even though it has seemed a bit barren after the past few years. All are M/M romances!

    Cowboy Dreams (A) by Kage Harper- character driven novella that is really well done. Some of the best written, real characters I’ve read.
    The Meaning of You (A-) by Jay Hogan- her first foray into romantic suspense and I can’t wait for more.
    Reading Between the Lines by Nicky James (A-) Book three her Shadowy Solutions series.
    The Shots You Take by Rachel Reid (A-)

  6. My list is more or less the same as Carrie’s (although some of my grades are different). I’d add Crocodile Tears (reviewed this week) – although it didn’t quite make DIK level, it’s the first time for quite a while I remember being so completely invested in a book that I genuinely couldn’t put it down (it absolutely made me stay up too late!). Looking at my list of DIKs for this year, I can add E.M Lindsey’s recent Zero Pucks, Toni Andersons new RS – Cold Truth (out next week) – and Allie Therin’s Viscounts and Villainy (out 1st July) the third and final Roaring Twenties Magic book.

    I’ve read quite a few good books this year – although I’ve also DNFed a handful, which is unusual for me, as I rarely do that because I curate my choices pretty carefully.

    My most anticipated releases for the rest of the year are C.S Poe’s Hudson River Homicides and Vanora Lawless’ Ruthless Resolve, both of which were supposed to be out in 2024 but have been delayed.

    1. I;m excited about Viscounts and Villainy! I love this series. Zero Pucks is on my list. I’m not sure about Crocodile Tears. I’ll see how the reviews go for the rest of the series.

      Do you release dates for the Poe or Lawless books?

      1. The Lawless got pushed back to 3 Oct this year. CSP said last week that she’s close to announcing a release date for her book; as you probably know she’s been struggling with burn-out and I think has pretty much re-written the entire book several times! I’m sure it’ll be worth it when it arrives. I’ll let you know when I know something.

  7. Technically a 2024 release, but my library only got The Safekeep by Yale van der Wouden this year, so I’m counting it. It’s Booker Prize nominated litfic, but also the most compelling, emotional enemies-to-lovers story I’ve read in ages. I’m drawn to love stories with angst and redemption and thorny heroines, so this was a treat for me. Continues the longtime pattern of nearly all my favorite sapphic romances coming from litfic instead of genre romance.

      1. It’s one of my favorite books for the history it tells. I love Sherry Thomas’ historical romances. I wish she were still writing them!

          1. I know she’s written something but I think it might be horror? We’ll see. I’m on an email list to get an update about it, whatever it is!

  8. I’ve definitely been on a mystery reading kick too. I particularly enjoyed Homemaker by Ruthie Knox and Annie Mare, and two of Kate Hardy’s Georgina Drake mysteries – The Body at the Roman Baths and The Body at the Vineyard. Fan Service by Rosie Danan, House of Blight by Maxym Martineau, Servant of Earth by Sarah Hawley and The Murderbot Series by Martha Wells round out my faves to date.

  9. Like DiscoDollyDeb “Goaltender Interference” by Ari Baran was one of my 2025 faves – very good m/m hockey romance and I liked that these MCs were looking at retirement.

    “Direct Descendant” by Tanya Huff – Cosy Canadian sapphic romance with bonus eldritch horrors (at least one of which is cute!). Most fun I’ve had with a Huff book since “Summon the Keeper”.

     â€œThe Sirens” by Emilia Hart is a beautiful historical / dual timeline novel about gendered violence and the way it spirals out, and secrets and families and female friendship, and I really liked amidst that history of violence all the fathers are good and gentle men, even if occasionally wrong-headed.

    “The Hymn to Dionysus” by Natasha Pulley – fantasy historical of post-Trojan war Thebes, a city in the grip of drought and famine, and a protagonist grieving for his commander-husband-mentor, so rather sad, and then Pulley would drop in something brilliant about blue or threeness or the strange ways royalty reflects identity. Ended up really enjoying it.

    “The Raven Scholar” by Antonia Hodgson – good, twisty fantasy and a much faster read than it had any right to be, with a clever engaging FMC, a nice romantic subplot, gods and magic and a talking raven.

    “Greenteeth” by Molly O’Neill – debut historical fantasy. I liked the gruff Jenny, who decides to rescue rather than eat the witch who is tossed into her lake.

    Asked for an ARC of “When the Tides Held the Moon” by Venessa Vida Kelley purely based on the gorgeous cover and was rewarded by a lovely aching m/m romance between a Puerto Rican ironworker in 1911 New York and a merman. Only if you like angst!

    “Kitemaster” Jim C. Hines – coming of age fantasy with a young widow who goes on adventures in a skyship. The story telling was sweet in a lot of ways despite the dark aspects to this world. Borderline YA; no romance. Well worth reading.

    “Daughter of Tides” by Kit Rocha – mid-series fantasy romance, but I read it by itself. After the evil empire has fallen, diplomacy is still required and that is the mission on which this burgeoning poly romance is engaged. Enjoyed the story, glad I persisted past the irrelevant Queen whoever in the first chapter and the initial info-dumps. Will look for the rest of the series.

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